Aerosmith
The name Aerosmith, by the way, means nothing in particular; it simply was the only name that no one in the band hated. During the first decade of its career, Aerosmith was one of the most popular hard-rock bands in America, striking a flamboyant middle ground between the cool, bluesy swagger of the Rolling Stones and the more campy, glam-metal approach of the New York Dolls and Mott the Hoople. Later, after a period of drug- and alcohol-induced decline, they made a triumphant return to form in the late '80s and early '90s, winning back their fans and the heart — and checkbook — of Columbia Records, the label where the story of Aerosmith began. Actually, the band's tale starts a few years before signing to Columbia, when drummer Steven Tyler met guitarist Joe Perry at the Anchorage, a Sunapee, N.H., ice cream parlor where Perry worked in 1970. They formed a power trio with Tom Hamilton on bass, and before long, they'd added drummer Joey Kramer and guitarist Brad Whitford, leaving Tyler to fulfill the role he was born for: lead singer. With 1975's Toys in the Attic, considered by most to be Aerosmith's best album, the group achieved a new level of success, both artistically and commercially. The first single, "Sweet Emotion," was a terrific pop-hard rock crossover that led the album up to No. 11 on the Billboard charts (it eventually sold 6 million copies). As a result of this newfound success, "Dream On" was re-released, becoming a Top 40 hit the second time around. The super-funky "Walk This Way" followed it up the charts early in 1976. Operating with two replacement guitarists, Jimmy Crespo and Rick Dufay, the band released its least successful album ever, Rock in a Hard Place, in 1982. Meanwhile, Perry's and Whitford's solo projects weren't exactly lighting up the charts. Something had to be done. On Valentine's Day of 1984, Perry and Whitford visited their old bandmates backstage after a show at Boston's Orpheum Theatre. Now reconciled, they reunited for the Back in the Saddle tour, and in 1985, having signed to Geffen Records, they put out Done With Mirrors. Though it didn't sell well, it showed that the band was on the comeback trail. After its release, Tyler and Perry completed a drug-rehabilitation program, and then, in an extremely smart publicity move, they joined old-school rappers Run-DMC in the video for their cover of "Walk This Way." In 1987, with producer Bruce Fairbairn at the helm, they recorded the album that would put them back on top, Permanent Vacation. Aerosmith's best and biggest-selling non-greatest hits album since Rocks featured the hits "Dude (Looks Like a Lady)," "Rag Doll," and "Angel," and ultimately sold 5 million copies. Pump, released in 1989, did it one better, selling 6 million, driven by the Top 10 hits "Love in an Elevator" and "Janie's Got a Gun."
Eat The Rich (Released 1993)
Well I woke up this morning
On the wrong side of the bed
And how I got to thinkin'
About all those things you said
About ordinary people
And how they make you sick
And if callin' names kicks back on you
Then I hope this does the trick
Cause I'm a sick of your complainin'
About how many bills
And I'm sick of all your bitchin'
Bout your poodles and your pills
And I just can't see no humour
About your way of life
And I think I can do more for you
With this here fork and knife
Chorus:
Eat the Rich: there's only one thing they're good for
Eat the Rich: take one bite now - come back for more
Eat the Rich: I gotta get this off my chest
Eat the Rich: take one bite now, spit out the rest
So I called up my head shrinker
And I told him what I'd done
Said you'd best go on a diet
Yeah I hope you have some fun
And a don't go burst a bubble
On the rich folks who get rude
ÔCause you won't get in no trouble
When you eats that kinda food
Now their smokin' up the junk bonds
And then they go get stiff
And they're dancin' in the yacht club
With Muff and Uncle Biff
But there's one good thing that happens
When you toss your pearls to swine
Their attitudes may taste like shit
But go real good with wine
Chorus
Wake up kid, it's half past your youth
Ain't nothin' really changes but the date
You a grand slammer, but you no Babe Ruth
You gotta learn how to relate
Or you'll be swingin' from the pearly gate
Now you got all the answers, low and behold
You got the right key baby but the wrong key ho, yo
Believe in all the good things
That money just can't buy
Then you won't get no belly ache
From eatin' humble pie
I believe in rags to riches
Your inheritence won't last
So take your Grey Poupon my friend
And shove it up your ass!
Chorus
Eat the Rich: there's only one thing they're good for
Eat the Rich: take one bite now - come back for more
Eat the Rich: don't stop me now I'm goin' crazy
Eat the Rich: that's my idea of a good time baby
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