Aerosmith
The name Aerosmith, by the way, means nothing in particular; it simply was the only name that no one in the band hated. During the first decade of its career, Aerosmith was one of the most popular hard-rock bands in America, striking a flamboyant middle ground between the cool, bluesy swagger of the Rolling Stones and the more campy, glam-metal approach of the New York Dolls and Mott the Hoople. Later, after a period of drug- and alcohol-induced decline, they made a triumphant return to form in the late '80s and early '90s, winning back their fans and the heart — and checkbook — of Columbia Records, the label where the story of Aerosmith began. Actually, the band's tale starts a few years before signing to Columbia, when drummer Steven Tyler met guitarist Joe Perry at the Anchorage, a Sunapee, N.H., ice cream parlor where Perry worked in 1970. They formed a power trio with Tom Hamilton on bass, and before long, they'd added drummer Joey Kramer and guitarist Brad Whitford, leaving Tyler to fulfill the role he was born for: lead singer. With 1975's Toys in the Attic, considered by most to be Aerosmith's best album, the group achieved a new level of success, both artistically and commercially. The first single, "Sweet Emotion," was a terrific pop-hard rock crossover that led the album up to No. 11 on the Billboard charts (it eventually sold 6 million copies). As a result of this newfound success, "Dream On" was re-released, becoming a Top 40 hit the second time around. The super-funky "Walk This Way" followed it up the charts early in 1976. Operating with two replacement guitarists, Jimmy Crespo and Rick Dufay, the band released its least successful album ever, Rock in a Hard Place, in 1982. Meanwhile, Perry's and Whitford's solo projects weren't exactly lighting up the charts. Something had to be done. On Valentine's Day of 1984, Perry and Whitford visited their old bandmates backstage after a show at Boston's Orpheum Theatre. Now reconciled, they reunited for the Back in the Saddle tour, and in 1985, having signed to Geffen Records, they put out Done With Mirrors. Though it didn't sell well, it showed that the band was on the comeback trail. After its release, Tyler and Perry completed a drug-rehabilitation program, and then, in an extremely smart publicity move, they joined old-school rappers Run-DMC in the video for their cover of "Walk This Way." In 1987, with producer Bruce Fairbairn at the helm, they recorded the album that would put them back on top, Permanent Vacation. Aerosmith's best and biggest-selling non-greatest hits album since Rocks featured the hits "Dude (Looks Like a Lady)," "Rag Doll," and "Angel," and ultimately sold 5 million copies. Pump, released in 1989, did it one better, selling 6 million, driven by the Top 10 hits "Love in an Elevator" and "Janie's Got a Gun."
Kings And Queens (Released 1977)
Long ago in days untoled
Were ruled by lords of greed
Maidens fair, with gold they dared
To bare their wombs that bleed
Kings and queens and guillotines
Taking lives denied
Starch and parchments laid the laws
When bishops took the ride
Only to decieve
Oh i know i
Lived this life before
Somehow i know now
Truths i must be sure
Tossin' turnin', nightmares brunin'
Dreams of swords in hand
Sailing ships, the viking spits
The blood of father's land
Only to decieve
Living times of knights and mares
Raising swords for maidens fair
Sneer at death, fear only loss of pride
Living other centuries
Deja v?or what you please
Follows true to all who do or die
Screams of no reply
They died
Screams of no reply
And died
Lordy, lordy, they died
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