Aerosmith
The name Aerosmith, by the way, means nothing in particular; it simply was the only name that no one in the band hated. During the first decade of its career, Aerosmith was one of the most popular hard-rock bands in America, striking a flamboyant middle ground between the cool, bluesy swagger of the Rolling Stones and the more campy, glam-metal approach of the New York Dolls and Mott the Hoople. Later, after a period of drug- and alcohol-induced decline, they made a triumphant return to form in the late '80s and early '90s, winning back their fans and the heart — and checkbook — of Columbia Records, the label where the story of Aerosmith began. Actually, the band's tale starts a few years before signing to Columbia, when drummer Steven Tyler met guitarist Joe Perry at the Anchorage, a Sunapee, N.H., ice cream parlor where Perry worked in 1970. They formed a power trio with Tom Hamilton on bass, and before long, they'd added drummer Joey Kramer and guitarist Brad Whitford, leaving Tyler to fulfill the role he was born for: lead singer. With 1975's Toys in the Attic, considered by most to be Aerosmith's best album, the group achieved a new level of success, both artistically and commercially. The first single, "Sweet Emotion," was a terrific pop-hard rock crossover that led the album up to No. 11 on the Billboard charts (it eventually sold 6 million copies). As a result of this newfound success, "Dream On" was re-released, becoming a Top 40 hit the second time around. The super-funky "Walk This Way" followed it up the charts early in 1976. Operating with two replacement guitarists, Jimmy Crespo and Rick Dufay, the band released its least successful album ever, Rock in a Hard Place, in 1982. Meanwhile, Perry's and Whitford's solo projects weren't exactly lighting up the charts. Something had to be done. On Valentine's Day of 1984, Perry and Whitford visited their old bandmates backstage after a show at Boston's Orpheum Theatre. Now reconciled, they reunited for the Back in the Saddle tour, and in 1985, having signed to Geffen Records, they put out Done With Mirrors. Though it didn't sell well, it showed that the band was on the comeback trail. After its release, Tyler and Perry completed a drug-rehabilitation program, and then, in an extremely smart publicity move, they joined old-school rappers Run-DMC in the video for their cover of "Walk This Way." In 1987, with producer Bruce Fairbairn at the helm, they recorded the album that would put them back on top, Permanent Vacation. Aerosmith's best and biggest-selling non-greatest hits album since Rocks featured the hits "Dude (Looks Like a Lady)," "Rag Doll," and "Angel," and ultimately sold 5 million copies. Pump, released in 1989, did it one better, selling 6 million, driven by the Top 10 hits "Love in an Elevator" and "Janie's Got a Gun."
Nobody's Fault (Released 1976)
Lord i must be dreaming
What else could this be
Everybody's screaming
Running' for the sea
Holy lands are sinking
Birds take to the sky
The prophets are all stinking drunk
I know the reason why
Eyes are full of desire
Mind is so ill at ease
Everything is on fire
Shit piled up to the knees
Out of rhyme or reason
Everyone's to blame
Children of the season
Don't be lame
Sorry, you're so sorry
Don't be sorry
Man has known it
Now he's blown it
Up-side down and hell's the only way
We did an awful job
And now they say it's nobody's fault
Old st. andres
Seven years ago
Shove it up their richters
Red light stop and go
Noble men of courage
Listen with their ears
Spoke but how discouraging
When no one really hears
One of these day's you'll be sorry
Too many houses on stilt
Three milion years or just a story
Four on the floor up to the hilt
(chorus)
Out of rhyme or reason
Everyone's to blame
Children of the season
Don't be lame
Sorry, you're so sorry
Don't be sorry
Man has known it
Now he's blown it
Up-side down and hell's the only way
We did an awful job
And now we're just a little too late
Eyes are full of desire
Mind is so ill at ease
Everything is on fire
Shit piled up in debris
California showtime
Five o'clock's the news
Everybody's concubine
Was prone to take a snooze
Sorry, you're so sorry
Don't be sorry
Man has known it
Now he's blown it
Up-side down and hell's the only way
We did an awful job
And now we're just a little too late
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